Neerparavai Tamil Movie Online

Film: Neerparavai Starring: Vishnu, Sunaina, Thambi Ramiah,Nandita Das, Saranya Director: Seenu Ramasamy Producer: Udhayanidhi Stalin Banner: Red Giant Movies Music: N. R. Raghunathan
Story: Since past 1000 years, often we read news about the killings of Tamil fishermen by the Sri Lankan Navy, only some of these dead-bodies being registered by the Police while others get suppressed. Neerparavai movie rouses from one such concealed family of Arulappa Swamy [Vishnu] and his wife Esther. Arulappa Swamy being youngster gets addicted to drinking and raises money from his mother Mary [Saranya Ponvannan] and neighbors to buy drink. At this moment, Arul happens to meet Esther [Sunaina] falls for her, which changes his lifestyle and Arul starts working hard to marry her. Hereafter Arulappa Swamy lives happily with his wife and child and all of a sudden they happen to meet up with a great disaster and after 26 years when police interrogated Esther [Nandita Das], she claims that she herself murdered her husband. What is the disaster? What is the reason behind Arul’s death? Why Esther did bury him in their living place? Watch Neerparavai to retort these questions… Performances: Vishnu has excelled in his acting. Especially the scenes of his love for Sunaina seemed realistic and as the drunkard youngster Vishnu’s performance is terrific. Sunaina has given a stunning performance. Particularly after falling in love with Arul, she enjoys his smile and the way she weeps knowing about his last smile are outstanding. Saranya Ponvannan and ‘Poo’ Ram has given brilliant performance as Vishnu’s parents. Director Samuthirakani as Bhai, Black Pandi as Vishnu’s friend, Thambi Ramaiah as teacher, Azhagam Perumal as church Father and Nanditha Das as elder Sunaina has lived their parts well. Technical Analysis: Seenu Ramaswamy has narrated the dramatic lives of fisherman in a very emotional and pragmatic way in Neerparavai. There needs a special mention for dialogues and screenplay by Seenu Ramaswamy and Jayamohan, which will pierce our hearts, while we do have some conversations that doesn’t indulge well with the script. Except ‘Para Para’ and ‘Meenukku’, songs composed by music director N R Raghunandan fail to make an impact in the film, Neerparavai. Every frame cinematographed by Balasubramaniem is so scenic and beautiful. Though the whole story happens in a small fishermen village, none of the sequences are boring. Analysis: Vishnu and Sunaina got into the skin of Arul and Esther with their tanned look. Seenu Ramasamy has added one more film to his credits and specially dialogues such as “If we are born as fisherman we cannot even wail out loudly if they die.”, “We should keep the dead body of the fishermen in the house who die in the sea without informing to police. If we inform them, we will not get the body and they will kill us by running from pillar to post.” shows the realistic pain of fishermen families in reel leaving a lump in viewers’ throat. After all, Neerparavai lags a bit with the predictable narration till the major twist has taken shape. Though director tried to keep audiences engaged with as many characters in the movie, particular scenes fail to impress and unsurprising storyline makes you feel bored. Final Verdict: On the whole, Neerparavai is a touching story on the lives of Tamil fisherman, who are lessening with fate.

Kalyanamalai 1-12-2012 Sun TV Program | KalyanaMalai 1st Dec 2012 Show

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Raj TV Kollywood Buzz 1-12-2012 | Kollywood Buzz Programs 1st Dec 2012


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Routine Love Story Telugu Movie Online


Routine Love Story Telugu Movie Online
Film: Routine Love Story
Starring: Sandeep, Regina,Krishnudu,Bharat,MS Narayana
Director: Praveen Sattaru
Producer: Chanakya Booneti
Banner: A Working Dream Productions
Music: Mickey J Meyer
In an honest effort, director Praveen Sattaru presents a love story, true to its title. It depicts that all love stories go through the same phase before eventually reaching the conclusion. Known for his offbeat presentation, Sattaru scores with his latest offering exclusively because he manages to weave a story, which is very real and honest.
Like every love story, "Routine Love Story" captures the romance of Sanju and Tanvi, played by Sundeep and Regina respectively. Sanju develops immense liking for Tanvi at first sight, and after much thought, shares his feelings with Tanvi, hoping for a positive response immediately. However, Tanvi requests for time. Meanwhile, instead of growing close, they detach from each other despite extreme love for each other. Will they understand each other and come to terms with love or not, forms the rest of the story.
Sattaru deliberately chose a subject known and appreciated by all instead of experimenting with a subject the audience may be alien to. Without making anything too obvious, he works closely on a script that appears cliched, but isn't when it finally unfolds on screen. The director's audiences haven't changed since his last film "LBW" (Life before Marriage). He targets people between the age group 18 and 30 precisely, to be acknowledged for narrating a story that is similar to their lives.
Routine Love Story doesn't offer anything new, but manages to leave an impact because of the simplicity in the plot. The director mirrors modern-day love story in style and adds his creative touch in the overall output. The film depicts what every relationship is akin to, but leaves scope to debate and decide whether what is shown makes sense or not. Come to think of it and you realize that Praveen only improvises on a love story that is common, yet unique in its own way.
The performance by the lead actors, Sundeep and Regina, definitely stand out. Sundeep, in his first solo hero role proves his mettle with confident acting, while Regina as the careless and high on energy girl, plays her part with ease. Vennela Kishore in his cameo is true to his role.
Comedy doesn't quite impress even with the presence of several leading comedians, while music by Mickey .J Meyer goes unnoticed barring few tracks.

Son Of Sardaar Hindi Movie Online


Film: Son Of Sardaar
Starring: Ajay Devgan, Sonakshi Sinha, Sanjay Dutt
Director: Ashwani Dhir
Producer: Ajay Devgn, N R Pachisia, Pravin Talreja
Banner: Ajay Devgn Ffilms, Viacom 18 Motion Pictures
Music: Sajid, Wajid, Himesh Reshammiya

Every time Vindoo Dara Singh, who plays a part of an extended patriarchal Punjabi parivaar in the Sikh heartland, opens his mouth to speak, he is shushed down by others saying, "Silencer lagaa."
By God, at times you feel this loud, flamboyant, ostentatious yet-all right, admit it-sinfully engaging film should just pipe down. There is so much that's noisy about this film. And we aren't talking about Sandeep Chowta's over-accented background score. Yet it's never unpleasant noise.
"Son Of Sardaar" takes us into the core of a family feud in Punjab where Sanjay Dutt, playing a goofy oddball of a Panjabi patriarch as only he can, wants our affable Sardarji Ajay Devgn dead to fulfil an ancestral vendetta.
The IQ level of every character in this film is way below average. Every man in Ashwani Dhir's world of belligerent bloodbaths is more daft than the previous. The women are slightly more intelligent, though our leading lady Sonakshi Sinha, photogenic as she is, has begun to get repetitive in her chirpiness. Juhi Chawla, as the woman who waits 25 years to marry Sanjay Dutt and then finally tells him, "Sorry, I don't want to build my mandap over the grave of another woman's love", is also intellectually challenged.
The smartest character in this smarter-than-the-characters film is played by Tanuja who, as the matriarch, feigns senility whenever it suits her.
The men around her make it easy. They are incorrigibly dumb, you see.
Love it or hate it, "Son Of Sardaar" is what a mainstream Hindi film is meant to be. A full-on masala-maar-ke action-comedy with dollops drama dripping from the edges like wet cheese in a tasty pizza. This is a film which is not just smarter than its character but also much more intelligent than it actually seems.
"Son Of Sardaar" derives its feisty energy from the original Telugu film by S. Rajamouli ("Maryada Ramanna"). The feudal plot is transposed from Madurai to Punjab. With that journey that the plot undertakes the film acquires a whole lot of cocky humour and a kind of eclectic warmth that keeps popping up most unexpectedly.
Providentially, "Son Of Sardaar" turns the vendetta saga on its head. The bloodshed between two warring families is converted into a crisp comic currency where action speaks louder than the words. Director Ashwan Dhir, whose antecedents in television show up here in the episodic movement of the plot, sustains the action, comedy and drama in the same line of vision. Miraculously, the plot moves steadily from mood to mood without seeming scattered. There is space even regular breaks for romance in the narration. Though the songs could have been avoided, the song breaks are pleasant.
By the time the chaos is all sorted out, the narration collapses in an exhausted but triumphant heap.
Some sequences such as Devgn and Sonakshi's first encounter in the train overstay their welcome. Just like the mehmaan Paresh Rawal in Dhir's last Hindi film "Atithee Tum Kab Jaoge", Devgn refuses to leave once he enters Dutt's family home. The rather eccentric comic strain in the plot hinges on trying to get Devgn out of Dutt's home to settle an old family score.
While Dutt is more satirical than sinister in his search for vendetta (and that's what the script requires him to be), Devgn's Sardar act is brilliantly controlled and moderate. He plays the foreign-returned Sikh who is suddenly thrown into a fatuous feud with a sense of wonderment.
The quips about Sardar jokes and Sardar quirks lend a self-deprecating transparency to the character. Ideally, Akshay Kumar would've played this part. But Devgn takes the rather dimwitted but affable character to a higher than the goofy plane. This man knows when to act dumb.
Among the truckloads of supporting players, Mukul Dev as an oafish loutish drunkard stands out. But didn't he play the same character in Samir Karnik's "Chaar Din Ki Chaandni" not too long ago? Come to think of it, haven't we visited the Punjabi heartland frequently enough since Imtiaz Ali's "Jab We Met"? Give this one a chance though.
"Son Of Sardaar" is a rollicking rumbustious wild and wacky action-comedy. It's a spaghetti-western relocated to Punjab that would keep Devgn's fans regaled. Even if you are not a big fan of the typical potboiler this one makes you smile.
One question: why was Juhi Chawla behaving like Dolly Bhindra?

 
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